wtf
So, the Consumerist had an article about the Manllow, a fan-crafted Etsy item available in Edward and Jacob versions. (The scariest part: IT HAS HANDS.)

Y'know the first thing I thought of? Other than Japanese 2D love, I mean. Substitute Logan, as seen in Nancy Lorenz's Wolverine/Rogue fanstrip Cheeto Run.

Fandom, you don't know how ahead of your time you are sometimes. Then again, I remember fanfic in which Rogue was sighing over WUTHERING HEIGHTS because Heathcliff reminded her of Logan, and now there's actually an edition of WUTHERING HEIGHTS with a blurb on the cover noting that it's Bella and Edward's favorite book.

...do love-crazed teens really need *advertising* to find WUTHERING HEIGHTS?
Cassidy, from Garth Ennis's PREACHER.
I've owed Harry Connolly a review of his CHILD OF FIRE, the first novel in his Twenty Palaces series, for a while now. Full disclosure: Harry and I have known each other online for several years and pop up in each other's comments sections fairly often. That said, his book sucked. -- no, I'm just kidding; it's really pretty damn awesome, and its characters are so engaging and its pace so relentless that I tore through it in an afternoon, which makes the delay in this review a little embarrassing.

Read more... )
oh john ringo no
Some of you folks may recall that a while ago I mentioned that the curious thing about Piers Anthony, to me, is that while people often dump on Anthony for being weird, skeevy, disturbing, and that sort of thing, nobody doing so ever mentions the stuff that *I* find to be really disturbing. (And remember, when we say "Piers Anthony" we're talking about the guy who wrote protoplasmic sex scenes and a story with a dude boinking a mentally retarded woman who was hooked up to a milking machine.) This is odd as hell, because I remember glancing at the book when it first came out, doing a massive double-take on reading that passage, and thinking, "Holy dogshit, this'll get him run out of town on a rail." Curiously, that never happened.

I'm referring to TATHAM MOUND, in which Piers Anthony's hero boinks a ten-year-old girl, using honey for lube.

OH PIERS ANTHONY NO. )
jim with pipe
I happened to pick up W.S. Baring-Gould's ANNOTATED SHERLOCK HOLMES over lunch, and lemme tell you, it is danged interesting to contemplate the introduction when you have ready access to an iPhone with an inflation calculator app, because W.S. Baring-Gould tells you how much money Sir Arthur Conan Doyle made. Even better, Baring-Gould generously translates these prices into their equivalents in the corresponding years' dollars. This means that I can plug Doyle's earnings into my iPhone and figure out how he was doing, as a doctor and as a writer. In case I haven't mentioned it, the future is awesome.

I honestly don't know whether to stare in slackjawed admiration or just travel back in time to strangle him. )
solace
  • I was curious as to what kind of Disney fanfic was out there. Not much, and most of what there is is terrible; there's a reason it's a Yuletide-eligible fandom. I did find a truly horrifying Belle/Beast pr0n ficlet that's quite effective.


  • Telekinesis by air jet! I want one.

  • I think my favorite writing on the subject of depression is by F. Scott Fitzgerald, in the form of his three-part essay, "The Crack-Up." Michel Mok provides a view of Fitzgerald from the outside during this period in his excellent interview, "The Other Side of Paradise, Scott Fitzgerald, 40, Engulfed in Despair." I think Fitzgerald's characterization of himself in tentative recovery as, variously, a broken plate -- a metaphor that's been used by others, but none as well -- and a surly dog has a remarkable truth to it, and a kind of grace in its woundedness that escapes most people who try to write about depression or indeed any profoundly affecting emotion. Its conclusion (barring the, to modern readers, jarring little bit of racism) is one of the most remarkable passages I've ever read, particularly the last two sentences:

    I do not any longer like the postman, nor the grocer, nor the editor, nor the cousin’s husband, and he in turn will come to dislike me, so that life will never be very pleasant again, and the sign Cave Canem is hung permanently just above my door. I will try to be a correct animal though, and if you throw me a bone with enough meat on it I may even lick your hand.
cameron undone
I recently watched A BAD DAY AT BLACK ROCK, which is a pretty nifty movie. It falls into a class of films that I don't think has ever been described as a genre: "a guy comes to town and finds a mystery." THE THIRD MAN is another classic example. The nice thing about the genre is that it's not as limiting as (say) the DIE HARD imitators; DIE HARD is a perfect movie, but UNDER SIEGE and PASSENGER 57 and all these other flicks don't depart very much from the DIE HARD formula. Whereas in "a guy comes to town and finds a mystery," the nature of the mystery and the town's reaction to his investigating it can vary considerably.

One thing that was really interesting about the movie is a bit that comes out of nowhere, but is absolute genius: in a climactic scene, Spencer Tracy does a glorious MacGyver bit to save his bacon. It put me in mind of Geoffrey Household's novel ROGUE MALE, which is not a famous blockbuster movie for reasons that escape me (it's been filmed twice, once by Fritz Lang and once for TV with Peter O'Toole; have to look for those). ROGUE MALE is about a prominent Englishman on a hunting trip who, on a whim, just to see if it can be done, tries to aim his rifle at a dictator who is not explicitly stated to be Adolf Hitler. (Household tips his hand very little; he does everything he can to make you think it could just as easily be Stalin.) Caught by the secret police, he is tortured and dumped in an attempt to make his death look accidental, because they don't want an international incident, and the hero is prominent enough that Questions Would Be Asked. But the hero survives and goes on the run, with the bad guys chasing him. It is, I think, the greatest fugitive thriller of all time; the tension never lets up. And there is one part where the hero, in a tight spot, does a completely amazing and horrifyingly brilliant MacGyverism that I wouldn't dream of spoiling for you but will make you go, "Fuck yeah!"

Got me thinking: what are some other works with great MacGyverisms? Not MacGyver's own, I mean.
snoop
THE MALTESE FALCON is one of my favorite books (though not, I think, my favorite Hammet; that'd be RED HARVEST, which I *really* want to see filmed with period setting but cast black so Don Cheadle can play the Continental Op), but only today did I get around to watching the film. That's the classic version, with Bogard and Astor and Lorre and Greenstreet -- Hollywood had filmed it several times before, but they quit after they got it right. There's a lesson in that.

(Side note: I don't know *how* I'd forgotten that the screenplay and direction were by John Huston. It gives remarkable reverberance to Polanski and Towne's CHINATOWN, because when Jack Nicholson's private eye Jake Gittes is sitting across a table grilling Huston's character, he's *grilling the guy who adapted and directed THE MALTESE FALCON.*)

Anyway, the thing that struck me, watching the film, is that the character I wound up feeling the most for was not in a million years the character I'd expected to.

Spoilers for a story originally written in 1929. )
Cassidy, from Garth Ennis's PREACHER.
Interesting review of a new book on homosexuality charges in the UK before Oscar Wilde. Lots of neat stuff, including that false accusations were a concern of TPTB -- in some cases, apparently for good reason.
Cassidy, from Garth Ennis's PREACHER.
Dr. Hermes mentioned THE QUEST OF TARZAN, one of the later Tarzan novels, recently, and it got me curious -- I haven't read all of anything past TARZAN OF THE APES, because while I *love* the original to the depths of my soul, every time I tried reading another I got kind of bored. This was not the case with Burroughs's Barsoom novels, in which shit just relentlessly kept happening; but while TARZAN OF THE APES was jam-packed with unceasing and interesting developments, I kind of got the feeling that after the first one Burroughs never had any really great novel-length ideas for stuff that Tarzan could do. Maybe I'm wrong, so I'm going to try reading 'em again. Anyway, QUEST OF TARZAN has two major plots; the first has Tarzan going up against the white savages the Kuvuru, who steal women from everybody including the Waziri, who are the black tribe Tarzan is cool with. (He has a buddy relationship with Muviro, the hereditary chief of the Waziri, and Tarzan serves as the Waziri's war chief when shit gets thick. As implausible a construct as ERB's imaginary Africa is, it's unfortunate that modern adaptations don't play with the idea of Tarzan as a political power in his corner of it. It's a big problem with white jungle heroes in general these days; they can't stick around their jungle, where cool stuff happens, but they have to come stateside to mix it up in the kind of places and with the kind of people we see in every other movie. Case in point, the upcoming "reimagining" of THE PHANTOM, which might not suck but if you watch the trailer every single person in it, good guys and bad, is white and the show looks like it was shot in Vancouver. C'mon, gimme some stuff in the African nation of Leefalkia with various local factions trying to use the legend of The Ghost Who Walks for their own benefit, or something.)

The second plot is that Jane is flying back from abroad to meet up with Tarzan, and when the plane she's in crashes in the treetops, she assumes leadership and gets her party out of danger. It is early, but I expect these plots to collide at some convenient point. But Jane being bad-ass is pretty interesting to see in an ERB book, especially considering he ignored her wholesale in a bunch of them and actually killed her off in one point (she died in the magazine version; her death turned out to be faked in the book version, or something like that, if I recall my TARZAN ALIVE correctly; thanks, Phil Farmer). Word is that he was inspired by a new romance... um, with the wife of one of his buddies. YOU STAY CLASSY, ERB. Anyway, so I'm reading it, and I hit this exchange.

"But, my dear, I mean you're not going out there alone?" cried Kitty.

"Sure she's not," said Brown. "I'll go along with you, Miss."

"I'm afraid," said Jane, with a smile, "that where I am going, you couldn't follow. Here, let me have your knife."

"I reckon I can go anywhere you can go, Miss," said Brown, grinning.

"Let me have the knife," said Jane. "Why it's a nice big one! I always did like to see a man carrying a man-sized knife."


Edgar Rice Burroughs, you *dog.*
Cassidy, from Garth Ennis's PREACHER.
I was reading about some new vampire show on the CW on aintitcoolnews, and the guy posting about it mentioned in passing that he knew there were tons of male vampire/human female pairings in film and TV, but he couldn't remember but one that went the other way around except for NEAR DARK. (Although LET THE RIGHT ONE IN sort of counts.) Made me remember reading Angela Sommer-Bodenburg's "Little Vampire" books when I was a kid: the (human) hero had a mutual attraction to his (vampire) best friend's sister, who was also a vampire. IIRC, she got vamped around his age, which was eleven or twelve or so, which would make things *increasingly alarming* if they ever paired up down the road.

Anyway, I wondered how many books in the series there wound up being, so checked the author's website. Turns out there were five published in the states.

Out of a total of *twenty.* The most recent was last year.

Huh.
oh john ringo no
During my lunch break in the bookstore, I discovered a new entry in the long-running "worst sex scene ever" sweepstakes. From the men's adventure novel DOOMSDAY WARRIOR #2: RED AMERICA, by Ryder Stacy. (There appeared to be at least twelve books in this series; it is set in a Future Occupied America of 2089.)

Their mouths opened and miles of wet tongue rolled out like carpets and entangled in one another. Kim's moans broke into an angel's chorus as she pushed Rock over on his back and mounted him the way she had when he took her virginity in the cell at Pavlov City. )
commies
Read a very interesting book lately: Meditations on Violence: A Comparison of Martial Arts Training and Real World Methods, by Rory Miller. Miller is a serious martial artist who is in the unusual situation of getting into lots of real fights for his living: he works as a corrections guard, and so has to get physical on a fairly regular basis. The book is not so much a study on technique as a dissection of dominance games, which Miller calls the Monkey Dance, and the effects and nature of real-life violence. (He notes, for example, that sparring bears pretty much no resemblance to a real fight, and that martial arts training is often conducted very much in a mental box: students enacting a scenario do so within self-prescribed limits, because they're often focused not so much on enacting a realistic scenario as doing what they think the teacher wants them to.)

I read it on the Kindle, so I felt no compunctions about highlighting interesting quotes as I went. Here are some:

". . . people want to believe in magic and secrets and there are other people who will satisfy those beliefs for money and power."

"A man fighting another man for dominance will try to beat him, but a man who thinks that he is fighting a woman for dominance will be seeking to punish her. Punishment is much worse."

"There is a chilling video available of the murder of Deputy Kyle Dinkheller taken from his dashboard camera. Even as the threat loads a rifle, Deputy Dinkheller stays locked in a verbal loop, repeating, over and over, 'Stop that,' and 'Stop loading that rifle!' He continues in that loop until he is shot."

"EMTs are taught that one of the earliest signs of shock is agitation or nervousness. Far more often than I've seen agitation, I've noticed another symptom and it applies to shock, hypothermia, dehydration, hunger, sleep deprivation, and stress hormones: People tend to get really stupid ideas and then become extremely stubborn about them."

"Don't think of territory wholly as space. True, people identify with their territory and will fight for their homes, their 'turf,' or their 'hood.' But they are fighting for their identity, not the piece of ground. Violence is so psychologically damaging, not because of the physical damage but because of the attack on self-image, the attack on one's identity."

Miller's thoughts on people who are in prison are interesting, too, although he of course sees prisoners from the prison guard's perspective. Miller classifies prisoners into 1) people who made a mistake, 2) hustlers, and 3) predators; he believes that a major failing of the criminal justice system is that it assumes most people in prison are in category 1, which Miller opines is the rarest class of criminal, hustlers and predators being more common. He very much looks down on hustlers, but I think that category is rather broad, encompassing as it does everybody from con artists deliberately out to abuse the system to the kind of poor folks David Simon writes about, for whom everything's a hustle in the efforts to get by.
wtf
Y'know what I've been reading lately?

"Imagine a person, tall, lean and feline, high-shouldered, with a brow like Shakespeare and a face like Satan, a close-shaven skull, and long, magnetic eyes of the true cat-green. Invest him with all the cruel cunning of an entire Eastern race, accumulated in one giant intellect, with all the resources of science past and present, with all the resources, if you will, of a wealthy government—which, however, already has denied all knowledge of his existence. Imagine that awful being, and you have a mental picture of Dr. Fu Manchu, the yellow peril incarnate in one man."


THE INSIDIOUS DR. FU-MANCHU. Yeah, that's the one. )
commies
Feeling somewhat less like crap today. ...yay?

To distract myself, a question: are there authors you love, absolutely flat-out love, but who have a quirk of some kind that drives you ABSOLUTELY FUCKING NUTS?

For me: George Pelecanos. I *love* George Pelecanos. The most brilliant crime novelist working today. He knows DC, he writes DC; he knows ins and outs of lots of social scenes, from the street to restaurants to cops to crooks to men trying to delude themselves -- the guy is just flat out garking brilliant, with terrific storylines and characters and dialogue. A lot of his stories deal with the various unwritten rules of racial interaction, and he's very smart about them; he's got a great eye for how characters of different ages and backgrounds talk, and what they say. (Pelecanos does better than anyone else, for example, at writing gangsta dialogue. Because when most white writers try it, they try really hard to make it sound "different" and "hard" and turn it into ghastly minstrel-show shit, but Pelecanos has an absolutely marvelous technique of writing such dialogue and making it believable without being distracting for us Standard English types. No surprise that the guy wrote for THE WIRE.)

But there is one thing about Pelecanos that drives me absolutely up the wall. He is a music guy. I'm very much not. I like music, now -- I love to sing sea shanties, for example, which irritated one ex-girlfriend no end -- but basically, pretty much every song that somebody makes a vid to is something I have never heard of. I don't listen to lots of music, I don't talk music, I almost never turn on the radio, sometimes a month or two goes by without me even opening iTunes, OK? This makes me totally the opposite of George Pelecanos. If he is writing a period novel, for example, he will write about the songs on the radio. The stations the characters listen to. Who the DJs were. He will write about local bands, and who is playing where, and when. If it is a modern story, then he will have his characters *reminisce* about Back In The Day when they would listen to radio station X, and DJ Y, and songs Z, ZZ, and ZZZ Plural Z Alpha. For PAGES. Sometimes he has his older characters talk about Their Time, and they define it by the music they listened to. EVERY BOOK. LOTS OF IT. Swear to God, it drives me NUTS. But I keep reading him, because he's that brilliant.

Anybody else have a beloved writer who has a tic that drives 'em nuts?
wtf
via [livejournal.com profile] burger_eater, I give you a brilliant new romance novel: KNIGHT MOVES, by Jamaica Layne. Wow. I mean, WOW. I have Actual Romance Novelists on my flist, so I feel obliged to just tell you guys: now that Jamaica Layne has broken onto the scene to offer you competition... YOU HAVE ABSOLUTELY NOTHING TO WORRY ABOUT.

“Everything you see and feel is real, milady,” my knight says, caressing my bare back with his hands. “That, I promise you. If you desire proof, you only need consider the three very real climaxes you just had in your lady-softness.”

My eyes fly wide. “How did you know I came three times?”

He grins wider. “Your lady-softness told me herself when she was wrapped round my codpiece.”


AUGH. If you think this is some kind of insane parody, then the synopsis is not going to change your mind:

Louise Jackson -- a sexually frustrated, thirty-year-old toll collection supervisor for the New Jersey Turnpike -- is bored out of her gourd at Medieval Worlds: Dinner and Tournament when she heads for the ladies' room. She soon encounters a gorgeous mystery knight in a bathroom stall that is actually a portal to another time and place - a castle in twelfth-century Europe, which is the knight's home. Louise is ecstatic - she believes she has found the incredible knight-in-shining-armor of her wildest fantasies. But the mystery knight is actually Lord Verdigris, who has kidnapped her from the 21st century so she can become a sex slave in his Hall of Harlots, where she will grant sexual favors to Lord Verdigris and the knights of his garrison for all eternity!

Determined to make the best of a bad situation, Louise settles into her new role as Lady Louisa of the Crossroads - by far the most popular and desirable of all the courtesans in Lord Verdigris's Hall of Harlots. Will she find a path back to her own century before the ruthless Lord Verdigris finds out and imprisons her forever? And will she find true love along the way?


(Hey, look, KNIGHT MOVES has an AUDIOBOOK, too! ...c'mon, somebody get it. somebody. who isn't me.)

(This reminds me: I need to type up my impressions of TNT at some point. Because, AUGH.)
Cassidy, from Garth Ennis's PREACHER.
It's a damn strange thing, but I got to be thirty-three years old without ever having read THE COUNT OF MONTE CRISTO.

So I've read it. And it's really terrific; it sprawls all over the place, but it's a great time, and the ending isn't anywhere near what I expected it would be. If you haven't read it, I'm going to blow it for you. Edmond Dantes, a young sailor about to get married, is imprisoned for a crime he didn't commit due to the actions of several people, each of whom have their own degrees of involvement and reasons for acting. Dantes is sent to a hellhole of an island prison, the Chateau D'if. He is there for fourteen years. While there, he befriends an older prisoner, who is thought mad because he keeps offering millions in gold if he will only be released. Except the old man isn't mad: he knows where a huge frigging treasure is hidden on the rocky, worthless island of Monte Cristo. Dantes escapes from prison, recovers the treasure, buys a title in Italy, and proceeds to reinvent himself as the insanely wealthy Count of Monte Cristo, who gets back into society and proceeds to set in motion a glorious revenge, for which his desires are further fueled when he discovers that, while Dantes was in prison, his father died horribly and his fiancee married, and bore the son of, one of the guys responsible for sending Dantes up the river.

I'd known that much going in, but didn't know how it all played out. And it didn't have anywhere near the ending I thought it would. The thing you expect is that Dantes and his true love will be reunited, have the happy ever after ending. But that's not how it works out; they're reunited, sure, but they don't get back together. As Dantes moves through his revenge -- and, in the process, helps get revenge for a number of supporting characters -- the man changes. He doesn't just want what he's always wanted -- he learns how to move on with his life, afterwards. And that's really cool.

But that's not what I'm here to talk about! I am here to talk about nubile lesbian runaways. )
SF writer H. Beam Piper.
So, I mentioned that there was something extremely cool in the offing, that I couldn't talk about yet, because delivery had not yet been accomplished. Now it has, and so I can.

I mentioned recently that some of my research on H. Beam Piper was quoted in John F. Carr's terrific biography -- go buy it now! One of my sources was an absolutely wonderful man named John Hunsinger, who was amazingly generous with a complete stranger. He shared his memories, took me through the local museum to show me the little sentry cannon Piper had fired at the local college's football games (Piper had been enlisted to help the college inventory a bunch of Civil War-era weapons from the Grand Army of the Republic Hall, and while cleaning up the cannon, had gotten a gleam in his eye and said, "You know, there's no reason this thing couldn't be fired..."), gave me names of other folks to talk to -- John was really terrific, and I've never forgotten his kindness. For his part, John was very interested to learn more about Piper, who'd never been very forthcoming to friends about his life. I told him what was generally known at that point, and what I'd found out in my own research. At the time, I planned to write a fanzine article, and so I promised I'd send him a copy.

And I never wrote the article.

I always felt very bad about that. So earlier this week, I found John's number in my notes and called him up. I reminded him of who I was, and of my promise, explained that the research had become a very small part of Carr's brilliant biography, and asked for his address so I could send him a copy of the book as a long-delayed thank-you. He was delighted, so he gave me his address, and I wrote it down.

And then he dropped the 900-lb. hammer.

John said, "You know, he signed some stuff for me!"

And I said, very intelligently, "Bwuh?!"

"Yeah! I was over at his apartment one night, and I think we were talking about the fact that I hadn't read any science fiction. So he pulled a couple of things off the shelves and signed them for me. It was an Amazing Stories, I think, [it turned out to be an Astounding] and Little Fuzzy."

My spine turned to water.

"Ump," I said. "Emp. Glerb. Sir, I know those must have extraordinary personal value for you, but if you're ever looking for a collector --"

And he said, "Well, I'm 80 years old, and I'm clearing out a lot of stuff."

That's pretty much the moment that my brain stopped working.

From what I dazedly remember of ensuing events, I made an offer, and he accepted. I had Amazon send off a book, and I sent off a check, and look what I got in the mail. )

OMG yay!

Feb. 21st, 2009 05:25 pm
roy harper
John F. Carr, who's been accumulating H. Beam Piper information for years, has published his long-awaited biography of my favorite SF writer. I am a few chapters in, and so far it is terrific, with tons of great information, stories and photographs, totally the book on Beam Piper that I always wanted.

What could possibly make this even better? I AM QUOTED IN IT! Years ago, I did a fact-finding trip to Piper's stomping grounds, and corresponded with Carr about my findings. And so "Piper researcher David Hines" is quoted several times in Chapter 1. Another of my contributions, though it's not attributed to me in the book, is the inventory of H. Beam Piper's gun collection, by himself, from a letter to the Lycoming County Historical Society of June 12, 1956, which is reproduced as an appendix. So it's not volumes of stuff, but I made some meager contributions to the biography of my favorite SF writer. Yay!

And Carr has done a *fantastic* job of amazing and substantive research, greatly aided by the family of Ferd Coleman, a longtime friend of Piper's whose archives -- thank Ghu! -- contained tons of letters between the men. And it's great, great stuff, down to Piper's recipe for Katinkas (he insisted that cocktail was properly stirred, not shaken), photos of Piper I've never seen anywhere, even pictures of the man's dachshund. If you are a fan of H. Beam Piper, BUY THIS BOOK. You will not regret it in the slightest.
peej reads news
It's not often that reading about book publishing gives you insight into human evolution, but that might actually have happened for me. I do mostly practical stuff, so I don't focus on evolution in the way some colleagues do, but the classic theory I was taught as an undergrad was that evolution had essentially stopped, because humans can now adapt our environment to suit us, rather than the other way round. This made intuitive sense to me. But there's a more recent camp that argues otherwise, and there's some evidence to suggest they have a point.

Natural selection, however, isn't the only reason why a gene might become more prevalent. It's also possible that the driving force is sexual selection. Among the most prominent supporters of this idea is Geoffrey Miller of the University of New Mexico, Albuquerque, author of The Mating Mind. He believes that the rate of human evolution is accelerating, and that selection for sexually desirable traits is the driving force. "Our high rates of migration, outbreeding, and cross-ethnic mating are recombining our genes at unprecedented rates," he says.

What is more, the vast human population means that our gene boat is acquiring new mutations faster than ever. Miller also points out that people are far more likely to meet and have children with someone who is like them. "Assortative mating - for intelligence, personality traits, mental health, physical health, attractiveness - is getting ever more efficient through higher education, urbanisation, singles' ads, internet dating and speed dating," says Miller. Taken together, that is likely to mean that advantageous new mutations have a greater opportunity than ever to become fixed in the population.


Some folks think that a side effect of modern medicine keeping folks like -- well, me, asthmatic that I am -- alive, is that selection for good health is stopping; others suggest that because so many more people survive to reproduce, we're getting more chances at getting useful -- less obviously useful, like Shane Battier -- genes passed along. That evolution is actually going faster. That's not my specialty, and it seemed weird and counter-intuitive to me.

And then I started reading news articles about book publishing. )

TNT

Feb. 10th, 2009 05:19 pm
oh john ringo no
The new-to-me blog "Johnny LaRue's Crane Shot" occasionally reviews "men's adventure" novels, and while scanning the reviews there I was hipped to the TNT series by "Doug Masters". Which is INSANE. These books make Ringo's Paladin of Shadows series look tame, sweet and gentle. Even just reading the summaries, I kept dropping my jaw and stammering, "Wait, WHAT?!" at the end of every other line.

Here is the series premise:

TNT is Tony Nelson Twin (is Masters a Larry Hagman fan?), a journalist who is caught in a nuclear bomb blast and receives superpowers as a result (or is he a Stan Lee fan?). Despite incredible physical and psychological injuries that should have killed him, Twin recuperates with extremely heightened senses--he can see in the dark, for instance, and hear sounds from far away. He also is able to maintain an almost-permanent erection.


That last is a plot point. In the first book,

Twin's job is to infiltrate the underground hideout of a scientist named Michelangelo Piran who can create petroleum from water and kill him. Unfortunately, Piran is guarded by the world's most elaborate deathtrap--seven full stages far beyond anyone's most perverse nightmares. Not only is Twin forced to traverse--completely nude--across a scorpion pit, a greenhouse filled with poisonous plants, an acid bath, a red-hot burning tunnel, a ladder made of razor blades, a bath of warm rotting flesh, and a pitch-black room filled with ninjas (!), but he is ultimately forced into the most bizarre game of checkers ever created.

Six games on an giant board filled with colored lights. On the other side are forty nude women, all either violently psychotic or mentally retarded, each in a separate cage. Whenever Twin loses a game or is forced to crown Piran (who is playing electronically from a hidden location), one cage opens, and Twin has only a few minutes to bring her to orgasm or else he dies. Twin loses every game against the genius Piran, but since he manages to successfully screw all of the women into normalcy, he is allowed to live and face his opponent.


Yeah, I know, you just had to reboot your brain. They only get crazier. Here's just PART of the summary for TNT: KILLER ANGEL:

Tony Nicholas Twin is vacationing in Greece, where he receives a message that October, his retarded 16-year-old daughter, is ill at the Twins' Ireland home. His charter plane is diverted to Albania, where he is arrested for spying (it's a long story) and ends up a prisoner of Giallica Kadar, the young wife of the impotent president of Albania who entertains her husband by having sex with men who resemble Joseph Stalin while he watches from behind one-way glass. Giallica is organizing her insidious version of the Olympics, which she calls the Hercules Games. To train her athletes, she has enlisted Wolfgang Amadeus, a madman who floats above the ground on his metal legs which contain a radio, tape recorder and even a laser that fires from his left kneecap.


I just. That is DC Silver Age levels of WTF there. With porn.

Profile

Cassidy, from Garth Ennis's PREACHER.
hradzka

March 2010

S M T W T F S
 123456
78910111213
14151617181920
21222324252627
28293031   

Syndicate

RSS Atom

YOU NEED A BOOK

A POEM EVERY DAY

The collected poems from my descent into madness year spent writing daily poems are now available from Lulu as the cheapest 330-page book they would let me make ($16.20). If that's too pricey, you can also get it from Lulu as a free download, or just click on the "a poem every day" tag to read them here. But if you did buy one, that'd be awesome.

Most Popular Tags

Layout Credit

Layout:
[personal profile] branchandroot
Page generated Mar. 19th, 2010 05:16 pm
Powered by Dreamwidth Studios